Zhang Jianqing, female, was born in Anxin, Hebei province in 1973. She grew up on the bank of Baiyangdian Lake. She likes calligraphy and seal cutting. She has been engaged in reed craft creation for more than 30 years. She has created Reed painting, carving and lining velvet paper technology. She is good at landscape, portraits. Researcher of folk art, Baiyangdian Institute of History and Culture, and member of Hebei Literature and Art Research Association. There was an allusion in ancient times, "a leaf of reeds went to Damo, and ten thousand volumes of scriptures and books benefited people." Reed-blooming Reed, spreading Five Leaves, born Buddha. Reed painting is an exotic flower among the fine works of Chinese traditional folk art. It is said that it began in Tang Dynasty, was popular in Song Dynasty, Ming and Qing dynasties, and was once on the verge of being lost due to various reasons. On the basis of inheriting the excellent cultural tradition of the older generation of folk artists, Zhang Jianqing, the Inheritor of reed paintings, boldly innovated, improved its manufacturing process by using modern special tools, and created the original Reed painting carving lining velvet paper technology, created Reed paintings with both traditional artistic beauty and modern life flavor. Make full use of the natural light and materials of natural reeds to bring the wind and rain, flowers, birds, fish worms, character landscapes, flowers and animals to life, and make wonderful achievements. In terms of creation, she boldly absorbed a variety of artistic expressions such as traditional Chinese painting, printmaking, paper cutting, oil painting, pyrography and so on, presenting an artistic conception of tian qu unity and wonderful benefits. In terms of picture style, it is based on traditional folk crafts and strives to pursue the characteristics of the times; In terms of color application, it is mainly composed of natural colors of Reed, decorated with a little bright colors and full of changes, with red and black as the background color, it is integrated and eye-catching. Exquisite production, bright color and vivid expression give people a kind of artistic enjoyment of returning to nature. "From taking materials to becoming a vivid Reed painting, after cutting, drying, scraping, grinding, ironing, moisturizing and other early processing, then ironing, polishing, splicing, bonding, more than 30 processes such as coloring are carefully compiled, which are purely handmade, and if you are careless, you will lose all your achievements. If you don't have patience to do such a job, you can't finish it at all." Zhang Jianqing said seriously. Through continuous exploration, the reed paintings she created gradually attracted people's attention with realistic images, and more and more people came to visit his reed paintings. To retain skills, what is retained is not a picture, but the history and culture that the skills carry in the process of inheritance; What is retained is the vitality given by a piece of ironing; what is retained is the inheritance and development of traditional culture by ARTISAN. To retain skills, what is retained is not a picture, but the history and culture that the skills carry in the process of inheritance; What is retained is the vitality given by a piece of ironing; what is retained is the inheritance and development of traditional culture by ARTISAN.

Mogao Grottoes, imitating the works of contemporary painter Mr. fan Xingru, 54x75cm
xia he, charm of Lotus, 50x 90cm lanting preface, 136x 48cm, works by Feng Chengsu.
On March 3rd, 9th, Yonghe, Mu emperor of Eastern Jin Dynasty, Wang Juzhi and Xie An, Sun Chuo and others wrote poems at the meeting of Shan Yin lantern. Wang Juzhi expressed the author's feelings about life uncertainty for their preface manuscripts. Egret picture, imitating Mr. Lin Fengmian's works. 110 x 55cm. Fish fu picture, imitating the works of Ming Dynasty painter Lu Zhi, fishermen fishing scene. Magnolia map width 160cm, height 40cm wuniu picture width 150cm, height 33cm spring Tour, 150cm wide and 60cm high appreciation of works