1. The strategy for playing the big board:
1Gwaa" sound: This is the most common sound produced by the big board. Hold the bottom board with the thumb on one side and the other four fingers on the other, with the holding position at the lower end of the rope passing through. The palm of the hand should have about half an egg-sized gap from the groove of the bottom board, and the contact between the palm and the bamboo board should be as close as possible to form a resonance box. When hitting the bottom board with the front board, a "gwaa" sound is produced. The grip of the bamboo board should be relaxed to produce a resonance sound.
2、"台" sound: Insert the thumb into the rope attachment, gently clamp the bottom board with the palm, and loosen the other four fingers. Coordinate the movement of the thumb, rotate the wrist, and strike the bottom board with the lower end of the front board to produce a "tai" sound, similar to the sound of a small gong in a theatrical instrument.
3、Horse's Hoof Beat: This rhythm pattern is reminiscent of the sound of a horse's hoof walking, producing two sounds of "gu" and "wa". When playing, the right hand holds the bottom of the large board, with the thumb across the top of the hole-punching area, and the other four fingers bent along the side of the bottom of the board; the palm is raised, covering the valley area (concave side) of the bottom board to form a "resonance box". By striking the front board with the bottom board, a dull sound of "gu" is produced. Then, without changing the palm movement, the thumb and forefinger hold the board in place, the other three fingers are spread; the wrist rotates, striking the front board with the bottom board to produce a "wa" sound. It can also be played by simply opening and closing the thumb to produce the "gu" and "wa" sounds of the horse's hoof.

Section Two: The Stroke Technique for the Small Board (Jiezi)

1Basic point: It is the most basic board style. Stand the nodes up, push the bottom board with the ring finger first, use the bottom board to push up the first four boards, making a sound of "di", wait to come back and hit the bottom board, and make a sound of "ta", repeat this, requiring a uniform speed, slower.

   Tick-tock|Tick-tock|Tick-tock|Tick-tock|

2Single point: Stand up the joints, first use the bottom board to push up the first four boards, making a 'di' sound, the thumb blocks the waist of the joints to make a 'ge' sound, and then the thumb uses force to block back to hit the bottom board, making a 'ta' sound. Repeat this process, requiring a uniform speed. It is divided into fast and slow types, used in different situations.
Ding-dong|Ding-dong|Ding-dong|Ding-dong|

3Double point: A double point is composed of a single point plus a basic point, which is a common rhythm pattern in rapid-fire script. It requires a uniform and stable delivery.

Dit-dah|Dit-tah|Dit-dah|Dit-tah|

4Mix a little: control the bottom board with the ring finger and limit the distance between the thumb, making the first four boards move back and forth to hit, producing a sound like an old-fashioned train, requiring a clear and stable rhythm, hitting a heavy sound in each bar. It is also divided into fast and slow types.
Ding-dong ding-dong | Ding-dong ding-dong | Ding-dong ding-dong | Ding-dong ding-dong |

Practice the Five Skills and Three Techniques of Rapid Fire
 
  To master the various 'board style' techniques, it is essential to strengthen the basic skills training in the three aspects of 'arm', 'elbow', and 'wrist'. The following introduces the basic practice methods of 'Five Skills and Three Techniques':

1The basic skills of [Jiezi] are divided into five types, namely:扇"Hook", "tease", "toss", "shake", "tremble".

（1）扇"Exercise: Stand the knot straight, index finger.Cross the front gap of the baseboard, the thumb naturally rises, the index finger, the middle finger, the little finger, stick to the back side of the baseboard, and then the wrist moves, hitting the front four boards with the baseboard, making a "di" sound, this action is like扇The wrist moves like a fan.扇The action should be natural, and each half beat should be one.A steady and even voice.

（2）撩功：以＂扇功Based on this, speed is doubled, and the bottom board is used to lift the upper board "liao" to make a "di" sound, using this skill to enhance wrist strength.

（3）Dian Gong: Hold the jiezi horizontally, with the thumb on the upper end, and push the elbow and wrist up to make the jiezi bounce, also making a "di" sound, at the same speed as the Liao Gong.

（4）Shaking the skill: Stand the joints up, with the side facing out, place the thumb on the waist of the first board, and shake the wrist to the left and right. Use the bottom board to hit the front four boards, producing a "di" sound. When the front four boards are lifted, they are then bounced back by the thumb, producing a "ta" sound. Repeat this process, with "ta" for the first half of the stroke and "di" for the second half, maintaining a uniform speed and not too fast.

(5) Shaking skill: Based on the "rocking skill," the wrist rapidly shakes, continuing to make a "hah..." sound, with the speed being uniform and avoiding sudden speed changes.

2The basic skills practice of [Dabian] is divided into three types, namely: "Hold", "Pick", and "Swing".

（1）握法：右手拇指为一方，其它四指为一方，将底板握住，侧面朝外，持板位置在穿绳处的下端，掌心与底板凹槽约有半个鸡蛋的空隙，手掌与竹板接触之处尽量密合，要能形成一个共鸣箱。肘和腕子向前推动，撞击前板，发出"呱”的声音。腕力似扇The fan moves slowly and evenly, and you should hold the bamboo board loosely.

Pick method: Insert the thumb into the rope attachment, gently grip the bottom board with the palm, and relax the other four fingers. Coordinate the movement of the thumb, rotate the wrist, and hit the bottom board with the lower end of the front board, producing a "tai" sound, similar to the sound of a small gong in a theatrical instrument.

Step 3: The 'Yang Fa' technique involves holding the bottom board firmly, then raising your arm upward. The front board will rise with the 'penetrating force' generated, forming a parallel line with the bottom board. Then, as the elbow of your arm descends, a 'gwa' sound is produced, and the movement is repeated.

In addition, there is another method that combines the 'tipping' and 'swinging' techniques. Based on the 'tipping' technique, the wrist should be more forceful when turning, hitting the bottom of the racket against the front board to produce a 'te' sound, and then swinging the front board up. Then, hit the front board down again to produce a 'gua' sound, and repeat the process.

 Exercise 2: Combining hand and mouth movements:

  After mastering the single exercises, move on to the composite segment. You can follow the pattern of '数来宝', '三、三、七', and synthesize the basic points. The mantra is: '一二三、三二一、一二三四五六七', with the mind and hands: '

Mnemonics: │One Two│30│Three Two│一0│
Jiezi│Tat, Di│Ding 0│Tat, Di│Ding 0│
Big Board│Gwa 0│ Gwa0│Gwa0 │Gwa0│

Mnemonics: │One Two│Three and four│Five and Six│70│
Jiezi│Tat, Di│Tat, Di│Tat, Di│Ding 0│
Big Board│Gwa 0 │Gwa0 │Gwa0 │Gwa0│

Practice Requirements:

（1）Position: When beating the rhythm, the "Jiezi" and "Daban" should be held with the sides facing out, and the "Low" position should not exceed the abdomen. In practice, the movement requires stretching, moving freely inside and outside, front and back, left and right, and up and down, to lay a good foundation for performance.扇"Flat pull" can advance or retreat, preventing the tendency of a certain posture.

(2) Rhythm: Use the speed of a clock as the standard for the beat, "clock" and "watch" have differences in speed, and in practice, various speeds can be used to practice the accuracy of rhythm.